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Essay On The Reach By Stephen King

What’s Stephen King’s legacy?

Stephen King’s legacy as a bestselling horror/psychological fiction writer is attributed to his writing style. Because readers can identify with many of King’s three-dimensional, dynamic characters, his stories captivate and engage his loyal fans and first-time readers. For example, the protagonist in “Carrie” is a high school girl ostracized because she is different. Nearly everyone, at some point in their adolescence, has experienced the sting of rejection by their peers or the profound, psychic pain of suffering repeated emotional abuse.

Carrie was Stephen King’s first novel, published in 1974, with a print-run of 30,000 copies. King favored an epistolary form to produce realism in the novel by using a combination of letters, news clippings, magazine articles, and passages from books.

Stephen King also creates identifiable characters that elicit immediate sympathy from readers due to inherently flawed but human traits. Beverly Marsh, the poor girl in IT, was abused by her father; Nick Andros was the deaf-mute in The Stand; and Wendy Torrance was Jack’s long-suffering wife in The Shining.

The horror novel IT was published in 1986. The story tracks the escapades of seven children as an eponymous being (in the form of a clown) terrorizes them. King tells the story through narratives shifting between two time periods. It is mostly told in the third-person all-seeing mode. IT addresses King’s most beloved themes: the omnipotence of memory, childhood suffering, and the monstrousness prowling behind a disguise of classic sectarian values.

King’s Use of Metaphors and Symbols

King frequently embellishes his themes by using a metaphor, a literary device that compares two seemingly independent subjects without directly implying the association. Specifically, King’s use of the “extended metaphor,” or one that encompasses an entire body of work, is evident in novels like The Green Mile, in which John Coffey can heal the sick but dies in the end because of men committing atrocious “sins.” One of the protagonists in The Green Mile, a large, African-American man named Coffey, seems to mirror the life of Jesus Christ, although the story is set in the death row area of a Depression-era prison.

King’s The Green Mile is a serial novel published in 1996. The book exemplifies the genre of “magical realism,” in which King introduces his readers to supernatural elements taking place in an ordinary, realistic environment.

Other metaphors used by King that effectively intensify the themes of his stories include the Randall Flagg/Satan association in The Stand; the terrifying clown called IT, which may represent our childhood and adult fears and how we easily allow them to rule our lives; and the Needful Things store in the novel of the same name, a metaphor that reveals the possible consequences of desiring what are essentially objects without any real value.

In his novel Christine, King has stated in interviews that Arnie’s car symbolizes “the end of innocence,” or that time when getting your first car means you are no longer a carefree, innocent child but a culpable adult with responsibilities.

King’s horror novel Christine was published in 1983. King tells the story of a classic car controlled by ghostly powers.

In The Shawshank Redemption, the posters of Rita Hayworth and other glamour girls symbolize every inmate’s powerful desire to once again live a normal life outside the prison. This symbolism is further reinforced by the holes in the concrete walls which the posters conceal from the prison guards.

The Shawshank Redemption is the title of the 1994 movie adapted from King’s novella, Rita Hayworth and Shawshank Redemption, appearing in his 527-page novel, Different Seasons (published in 1982).

Conflict and Suspense

All memorable literature contains conflict, foreshadowing and suspense. King is the master at integrating these three literary devices into all of his novels and short stories by creating dynamic characters that not only react to events occurring around them, but who also experience some kind of pronounced, psychological change due to either adapting or relenting to the compelling event.

Even when some of King’s characters fail to survive the conflict, he still manages to make us feel sorry for them in a weirdly satisfying way. At the end of The Shining, when Jack Torrance attempts to regain his real self and tells his son Danny to ” … run away … remember how much I love you,” we understand that, although Jack is now a crazed murderer possessed by an evil spirit, the “father” side of his soul can never be taken away from him.

King’s horror novel The Shining was published in 1977 and became his first hardback bestseller. The Shining is greatly influenced by Shirley Jackson’s The Haunting of Hill House (a ghost story), Edgar Allan Poe’s The Masque of the Red Death (a gothic horror story) and Robert Marasco’s Burnt Offerings (a haunted house story).

By studying the writing style of Stephen King, both professional and non-professional writers can learn a great deal about writing extraordinarily popular literature. See my collection of Stephen King Writing Quotes.

Literary Analysis of the Reach
Stella Flanders, the oldest resident of Goat Island,   is the main character in Stephen King’s short story “The Reach”, “and she had never once in her life been to the mainland” (1).   Now-a-days it is normal to visit the mainland often but, Stella is old-fashioned and feels as though she has her every need available to her on the island.   Throughout the short story we are given insight to Stella’s internal conflicts. One internal battle is her conflicting feelings about crossing over the reach into the mainland.   The other- is her subconscious internal battle of her soul crossing the threshold from this world to the next.   “The Reach” displays literal and figurative representation of crossing over a threshold.
Stella Flanders has never crossed the reach into the mainland.   Generations have passed since Stella was born and all those who live on the island now, adults and even children, go to the mainland daily or at least weekly.   She is the oldest resident on Goat Island and has never been across the reach.   It is a fear of change that keeps her.   It is the knowledge of others’ experiences of crossing the reach that intimidates her and make her believe that her experience will be similarly unfortunate. It is the comfort and familiarity of the island that keeps her.   The islanders have postulated many different reasons as to why she has never crossed; however, the only one who knows the answer is Stella Flanders.   Crossing the threshold from the familiarity of Goat Island onto the Mainland via the reach has never been an interest or a necessity, therefore she never has.   She sees many people cross the reach and return: many who have crossed the reach and have not returned.   What keeps her from crossing the reach is a mystery.   When questioned why she never left, she responds, “No, I’ve never felt I needed to leave the island.   My life was here.   The reach was wider in those days” (King 4). By stating the reach was wider in those...

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