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Mazurka Para Dos Muertos Analysis Essay

Camilo José Cela, in full Camilo José Cela Trulock, (born May 11, 1916, Iria Flavia, Spain—died January 17, 2002, Madrid), Spanish writer who won the Nobel Prize for Literature in 1989. He is perhaps best known for his novelLa familia de Pascual Duarte (1942; The Family of Pascual Duarte) and is considered to have given new life to Spanish literature. His literary production—primarily novels, short narratives, and travel diaries—is characterized by experimentation and innovation in form and content. Cela is also credited by some critics with having established the narrative style known as tremendismo, a tendency to emphasize violence and grotesque imagery.

Cela attended the University of Madrid before and after the Spanish Civil War (1936–39), during which he served with Franco’s army. His first novel, Pascual Duarte, established his European reputation. Traditional in form, it was both a popular and a critical success. His second novel, La colmena (1951; The Hive), with its fragmented chronology and large cast of characters, is an innovative and perceptive story of postwar Madrid. It solidified Cela’s critical and popular reputation. Another of his better-known avant-garde novels, San Camilo, 1936 (1969), is one continuous stream of consciousness. His later novels include Cristo versus Arizona (1988; “Christ Versus Arizona”) and the Galician trilogy—Mazurca para dos muertos (1983; Mazurka for Two Dead People), La cruz de San Andrés (1994; “St. Andrew’s Cross”), and Madera de boj (1999; Boxwood).

Cela’s acute powers of observation and skill in colourful description also are apparent in his travel books, based on his trips through rural Spain and his visits to Latin American countries. The most noted of these are Viaje a la Alcarría (1948; Journey to the Alcarría), Del Miño al Bidasoa (1952; “From the Miño to the Bidasoa”), and Judíos, moros y cristianos (1956; “Jews, Moors, and Christians”). He retraced the itinerary of his first travel book for Nuevo viaje a la Alcarría (1986). Among his numerous short narratives are Esas nubes que pasan (1945; “The Passing Clouds”) and the four works included in the collection El molino de viento, y otras novelas cortas (1956; “The Windmill and Other Short Fiction”). Cela also wrote essays, poetry, and memoirs and in his later years made frequent television appearances.

In 1955 Cela settled in Majorca, where he founded a well-respected literary review, Papeles de Son Armadans (1956–79), and published books in fine editions. He began in 1968 to publish his multivolume Diccionario secreto, a compilation of “unprintable” but well-known words and phrases. He became a member of the Spanish Academy in 1957.

Pechorin, a master manipulator, is conned by two unlikely individuals. He is "robbed by a blind boy and very nearly drowned by a girl of eighteen" (69). In order to hide his incompetence, he does not inform the authorities of the events that occurred. Pechorin faces many adversaries in the novel: strong Kazbich and unrelenting Grushnitsky. He prides himself on being able to read people. It is unexpected and comical that he cannot access the thoughts of a blind boy and a young woman, thereby falling prey to their schemes.

Grushnitsky looks forward to dancing the mazurka with Princess Mary. He excitedly tells Pechorin this expectation. Pechorin listens to him and takes pleasure in Grushnitsky's ignorance. Pechorin mockingly tells Grushnitsky, "Mind someone doesn't get in first" (110). Unknown to Grushnitsky, Pechorin has already asked Princess Mary to dance the mazurka with him, and she has agreed to the proposal.

Grushnitsky uses his commission to purchase a new uniform. He replaces his private's greatcoat with an infantry officer's uniform. He attends a ball with this new uniform and expects Princess Mary to be taken away with his appearance; however, Princess Mary is displeased. The private's greatcoat had made him special in her eyes. It had made her believe that he was someone "reduced to the ranks because of a due"l (80). By wearing an infantry officer's uniform, Grushnitsky dispels that notion and reveals that he is just a common soldier. This is the last strike for Grushnitsky in Princess Mary's eyes. She is officially done with him.

Pechorin, the most manipulative and deceitful character in the novel, is offended when he finds himself being ridiculed and plotted against. Pechorin sees himself as a victim after overhearing Grushnitsky and the dragoon captain's plan to challenge him to a duel and to give him a gun without bullets. He ponders, "Why do they all hate me?" and "I haven't offended anyone, have I?" (122). Pechorin dislikes being treated the way he treats other characters. He takes great pleasure in Grushnitsky and Princess Mary's sufferings, but when the table is turned, he is enraged, and he even feigns ignorance of all his past doings.